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But without them, a movie with almost nothing to say would probably be even emptier.This kind of superficially slick, depressingly conventional, emotionally dishonest and patently well-connected filmmaking (Hollywood princess Sasha Spielberg even turns up briefly) is the antithesis of what Sundance is supposed to be about., wrote the season two premiere and directed another episode.
"So I guess it didn't feel like a completely different change in dynamic, because everyone is always looking out for each other."Is the next logical step to write *and* direct a single episode?
As predictable in style as it is in content, Homework tries to come across as a personal story but feels entirely manufactured. Directed by: Gavin Wiesen Starring: Freddie Highmore, Emma Roberts, Michael Angarano, Elizabeth Reaser, Sam Robards, Rita Wilson, Blair Underwood, Alicia Silverstone Screenplay by: Gavin Wiesen Production Design by: Kelly Mc Gehee Cinematography by: Ben Kutchins Film Editing by: Mollie Goldstein Costume Design by: Erika Munro Set Decoration by: Matthew W.
Herschel Music by: Alec Puro MPAA Rating: PG-13 for thematic elements including sexual content, language, teen drinking and partying.
From the opening voice-over in which he espouses a hackneyed brand of what’s-the-point juvenile fatalism, to his uniform of outsize overcoat and the Camus paperback he carries like an accessory, everything about George’s depression feels like a pose.
There’s just not enough going on behind actor Freddie Highmore’s eyes to convince us this kid’s existential angst is real.
Anyone who can’t see where it’s going when Dustin meets Sally is asleep. It also demands a dramatic catalyst, which is where the now-standard fallback of the financial crisis comes in.